CAMPING; part two

The Ritual 2017

Dir: David Bruckner 

Perhaps i’m a little biased, but Brits are definitely making the best horror movies at the minute.

Maybe not the best ever, (after extensive scientific research I’ve concluded that Koreans make the best ever), but we are getting considerably better. More importantly directors have stopped using stupid british stereotypes and taking the genre for one big fucking joke (and I promise this isnt a snide jab at Shaun of the Dead, even though i fucking hated it). 

Whilst Hollywood seems to keep churning out one jump scare/found footage/thoughtless remake disaster after another, Brit horror has started to finesse the underrated art of the slow burner.

Make no mistakes about this; if a film starts off slow you’re guaranteed an absolute treat. Blair Witch, for example, is an archetypal slow burner; horrifically dull to begin with, lures you into a false sense of total security, two hours later you’ve left the cinema hollow, afraid and bewildered. Other examples include The ExcoristRing, Eden Lake, The Loved Ones, even The Texas Chainsaw Massacre-all horror CLASSICS, and yet nothing actually happens for a while in pretty much all of them. 

As a self proclaimed horror connoisseur, I believe the best scares happen when you’re not sure when to expect them. The only issue with this logic is that we live in the instant gratification era of social media where the average attention span is 00.003 seconds. Getting people in 2017 to even SIT through a film like the 1999 Blair Witch is hard enough, so directors have had to resort to cliched watered down scripts and pantomime tactics to keep viewers engaged.
Every few years on this side of the pond, an absolutely underrated banger of a movie will be released which shows just how refined we are becoming at creating genuine fear. Whilst we may be crap at a lot of things (like voting for leaders, making eye contact or being direct) our levels of horrifying just keep getting better and better.

Based on a lads holiday gone exceptionally wrong, the story is totally doomed from the very start. 

*Spoilers ahead*

A lead character from the “group” is murdered during a robbery within minutes of the films opening. His unexpected murder leads to an undercurrent of resentment, blame and guilt, which remains ever present throughout. In many ways he becomes the film’s protagonist as his absence from the group is continually highlighted creating an uncomfortable dynamic between the other characters, who each seem to have their opinions about the circumstances surrounding his death. 

A largely unwanted hiking trip later ensues to honour his memory; this hike follows a long trail from Norway to Sweden, which they ultimately hope will result in getting very drunk at a lodge on the other side.

Obviously someone gets injured and they have to take the “shortcut”.

Luckily the director isn’t a douche, and doesn’t mock your intelligence, we all know what happens when you take a shortcut through the woods, including the characters themselves, who’s banter and laddish jokes indicate that they do too. 

Making remarks about how they’re going to end up dead, is definitely not far from the truth. The group finds themselves being hunted in a bizarre ritualistic fashion, which initially seems like witchcraft, but emerges as something much more terrifying.

Combining elements from classic horror, there is an level of predictability which David Bruckner playfully draws on to create said false sense of security with the viewer. Everything you think may happen you have to later rethink; the twist in plot is very smart and very original.

Definitely up there with The Descent and Creep; also further fuels my desire to stay in hotels whilst in rural regions. 

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