The idea of a sequel pains me.
Look at what happened to Paranormal Activities. What started as an incredible film (a film, 1 film, singular), turned into a barrage of annoying follow ups including a baffling offshoot called The Marked Ones (#neverforget), which was literally the worst movie ever made. So obviously when I saw this, THE Blair witch, being advertised it was a major eye roll moment.
I’m a big fan of the original, and naturally I didn’t care much for the HORRENDOUS follow up. Luckily it turns out that this version has nothing to do with the sequel; in fact director Adam Wingard goes above and beyond to bypass Blair Witch 2 and any reference to it altogether. Just like Catwoman with Halle Berry, we’ll all pretend it didn’t happen.
I like Adam Wingard, I trust him. He’s made some solid, terrifying and well written films in the last few years which he should be applauded for. The horror genre isn’t easy you guys, it’s really challenging to make a. something original and b. something scary, because we’ve all become so accustomed to the formulas. We KNOW when to expect shit, which is why horror directors now have to do the absolute most to keep us engaged without being predictable or resort to lots of unnecessary and gratuitous torture porn tactics.
I digress, what I’m essentially trying to say is that having Adam Wingard as the director of this remake, and in essence the captain steering the entire reboot of the franchise, means he was bound to inject some quality into it. He was responsible for You‘re Next and V/H/S so I was rooting for him in a big way.
Netflix it turns out, was not. In fact Netflix stopped working a grand total of TWENTY FIVE TIMES whilst we were trying to watch this film. What ended up happening were 3 days (yep) of “screenings” all in 20 minute segments because basically Netflix hates me and doesn’t want me to enjoy a well rounded cinematic experience.
As you can probably imagine, a horror movie, drawn out over 3 days is going to somewhat dilute the whole “horror” aspect. Luckily I was engaged, and wanted to know how these poor bastards would end up dying, so I watched with the same enthusiasm and vigour on the third day as I did on the first; trying to catch a glimpse of the witch and taking mental notes of things I wouldn’t do whilst camping.
Basically I would never go camping.
Here’s a thought. Why not just drive? I personally don’t fully understand the logistics of a wood because I live in London, but SURELY you can just drive, park up on a main road and basically avoid dying?
The whole premise of the film is a that very uncharismatic guy called James wants to go into the woods to find his sister Heather (remember Heather, the girl from 1999 with the snot and the camera and the fear?) A new video emerges on YouTube which indicates that Heather may still be alive, and basically provides new evidence to lure people back out in the woods. James takes the bait and heads into the woods with 3 of his friends, plus the couple who originally found the tape and put it on YouTube. They thankfully go armed with literally every camera, gadget, GPS device, drone, smart phone, walkie talkie, hovercraft etc that they can get their hands on.
This element actually makes this a much more “up to date” found footage movie, as it is sadly filmed in that style. Often directors can just forget that their movie is meant to be “found footage” and halfway through a mysterious “other” camera appears which kind of defeats the purpose and breaks any form of continuity (hence why I hate found footage movies). Luckily Adam Wingard et al get around this aspect with all the additional “stuff” that the group have brought with them, meaning you get loads of angles and perspectives which don’t seem far fetched.
So let’s get to the nitty gritty. Was this film shit? No. It surprisingly really wasn’t.
The beginning was a solid suspenseful lead up seasoned with lots of subtle indications, references to the witch, and general vibes predicting the fuckeries about to be bestowed upon them. Then they get lost…..(drums), and an infection gets worse (more drums), and Peter goes missing (several drums)…and it descents into absolute hell.
The end could have been shorter. There’s a long winded final scene at the witches house which is just stressful and confusing and goes on for way too long. Like, really really long.
Aside from this. It’s a good horror movie and not a total embarrassment to the Blair Witch legacy. IN FACT I would go as far to say that if the 1999 classic were made for the first time in 2017, this would be the result.